Super 8mm film continues to be a popular format for experimental or short film makers in Britain today. This is despite the difficulties of using the format and the rarity of people that stock the products or can offer more specialist services.
This page is written for film makers who want to try out the idea of shooting a film on Super8 film and some quick pointers to get them started.
Don't know what Super 8 is? Or you don't know your super8 from your standard 8. Go to the wikipedia page.
Looking for buy some super 8 films to watch, or a projector, then there is a special category on ebay
Super 8 was a development born out of the old 8mm film that was used for the best part of 30 years to shoot home movies on. The benefits of Super 8 over Regular 8 as it was came to be known were in two main regions. Firstly the actual picture area on the film was increased as the sprockets were made smaller and the height also increased to stay in the same ratio as this increased width. Sound was also incorporated via a thin magnetic stripe which was added onto the side.
Super 8 is an 'easy' film system. You load it in a cartridge rather than having to load your own reels in the dark. You can shoot on reversal stock (normal film means shooting on a negative which you then have to make a print from) meaning you can project your results easily.
As a 'home movie' format it is no longer used. Only film makers now use the stock. It is sometimes used in situations where larger 16mm cameras couldn't fit. But more often it is used because it's unique over-saturated look.
1 - Shoot on Super8mm film
2 - Develop the film. In the original 'home movie' days of super 8 this was included in the price. Ask the place where you bought your stock to see if they do developing as well.
3A - Edit the film the old-school way. That means actually cutting your film and editing that way. I recommend film makers do it this way at least once. Its a great antitode to computer based editing. And you get a film master. If you shot on negative stock then you will have a negative master. You could run prints off this.
OR
3B - Edit the film digitally. You can get your footage tele-cined to tape and then you could edit as you would do for any digital video project. Remember that if you shoot on negative stock then its easy to just invert it in the PC. The only downside with this whole approach is that you don't get a film master.
The main pitfall to watch
out for is that most domestic, home movie gear runs at 18 frames per second
(fps) through the camera. Professional users shoot at 24 fps and festivals
will want productions shot with this in mind so make sure the camera can operate
at this speed.
Also check that the built-in light meter is working. Without this
the camera is virtually useless.
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Everyday Man (my Super8 film)
For
more on shooting on Super8 and other ideas for film makers looking to work in
a different way - visit my blog.
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